I haven't read all of Jarkko Sipila's Helsinki Homicide series, but the current one (Darling, translated ably by Katriina Kitchens) is focused less on Detective Lieutenant Kari Takamӓki than on his team (in comparison to the ones I have read). The result is very good, right up to the end (which I found a bit rushed and a bit more brutal in a casual way than anything that had come before). I kept thinking of Ed McBain and the 87th Precinct books, in the way that Sipila handles the shifting point of view and the broadened focus on the characters. The cops are interesting and well differentiated from one another, and along the way another interesting character, defense attorney Nea Lind, also becomes an important aspect of the story. The plotting is also off-beat in an interesting way. When a mentally handicapped adult woman is found dead, the police focus in on a group of men (including the caretaker in her apartment building) who hang out together in the Alamo Bar; each in turn...
I was a big fan of the Maj Sjowall/Per Wahlöö Martin Beck novels when they were first translated in the 1970s in the U.S., and at the time my favorite was The Locked Room, the 8th of the 10 books. I had reread all of them a few years ago, but recently had occasion to listen to the audio version of The Locked Room recently and was surprised how funny it is (at least when listened to)--sometimes int he ironic way that all the Martin Beck books are funny, but also in a broad comic way. This is one of the most tendentious books in the series, in terms of its indictment of the Swedish so-called "welfare state" of the time, with the narrator occasionally veering into invective against the injustice and neglect that elsehwere is effectively potrahed in the crimes, victims, and even criminals (sometimes) in the series. The set-up is straightforward: A woman proceeds toward a bank in Stockholm, robs it, and kills a bystander almost by accident. The reader will not revisit this bank-ro...
Lola Smirnova's Twisted and Craved, the first two novels of a trilogy, apparently, offer enough crime, misery, drugs, alcohol, sex, and even occasional pleasure for a dozen crime novels, but these are not really crime novels (despite the excess of crime, especially crimes against women, in them). Instead, Smirnova has constructed an episodic fictional memoir by Julia, who with her sisters Natalia and Lena, depart from a difficult life in Ukraine into an even riskier world of sex work, primarily nude dancing and sometimes prostitution. They are not being trafficked, they are entering into contracts more or less with their eyes open. And the sisters, each in her own way, are looking for a home life, with or without romance--in some ways the novels are the antithesis of romance fiction. The story begins with an S/M scenario and then flashes back to the beginning of Julia's story. The sisters travel first to Luxembourg and then to Turkey, encountering many, many unpleasant men, acr...
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