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Lisa Brackmann: China series

A Dystopian China (Lisa Brackmann 101) [The review below was published on the late lamented site The Life Sentence, and since the post is no longer available on-line at the original site, I'm posting it here.] Recent news that the Chinese government has allowed the artist Ai Weiwei to exhibit his work in China for the first time in years has an echo in the most recent (and probably last) installment of one of crime fiction’s most successful portrayals of China and the Chinese art world. Lisa Brackmann’s trio of Ellie McEnroe novels are not murder mysteries, though there’s plenty of murder and mystery in them. They’re more like exotic adventure novels or dystopian fantasies rooted in the everyday life of contemporary China. Each of the novels, Rock Paper Tiger (2010), Hour of the Rat (2013), and the new Dragon Day (2015), follows a similar pattern, within an overall story arc. Ellie McEnroe is an expat American, a wounded, PTSD-suffering Iraq-war veteran (hav...

Stuart Neville, Those We Left Behind

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--> [Since the reviews I published at the late, lamented site The Life Sentence, edited by Lisa Levy, are no longer on-line, I've decided to republish a few of them here. Here's the first one; I posted here a review of Neville's next novel, a sequel to Those We Left Behind, and it appears below.]   Stuart Neville is one of the most distinctive of the new crime writers from Ireland and Northern Ireland. His debut novel, The Ghosts of Belfast (2009), was a sort-of ghost story, featuring a former Republican hitman, Gerry Fagan, who is haunted by the 12 victims of his own political killings. In the UK, the novel was released as The Twelve — perhaps the memory of Britain’s own ghosts of Belfast dictated the change. Neville is among several current crime writers (Deon Meyer and Tana French, for instance) who use a rolling cast of characters, with a minor character in one novel emerging as the central character in the next. Gerry Fagan is still around for the second bo...

Tana French, Los Angeles Review of Books

My review of The Trespasser, by Tana French, is posted on Los Angeles Review of Books, as of this morning: https://lareviewofbooks.org/article/forensic-thousand-one-nights/ @lareviewofbooks

Blood Crime, by Sabastià Alzamora

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At first glance, Sabastià Alzamora's newly translated Blood Crime sounded interesting: a crime novel set in the Spanish Civil war, written in Catalan and based on a massacre that occurred in Barcelona. Then I read this sentence in the blurb: "Narrated by a vampire who thrives in the havoc of the war." A historical vampire thriller; not my kind of thing, really. But I was flying off for a work meeting in another state, and needed something to read on the plane, so I took it with me. From the first, this is a different kind of vampire. Then, he actually only narrates a few sections of the book. And what comes between, though still dealing with vampires, especially in the first half of the book, is quite interesting. Not only war and vampires, but massacres, a fantastic automaton, a history of monsters (including the vampire), and various horrors of a war that (based on this book) most of us outside Spain have not understood very well. At times, the book reminded me of V., T...

Mystery and Tragedy: Neville and Fossum

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The new novels by Karin Fossum of Norway and Stuart Neville of Northern Ireland have little in common (except for being works by two of the most prominent and accomplished crime novels working today). Both, however, demonstrate an inevitability in their motion toward a conclusion, and a tragic sense of character that determines the story. Neville's So Say the Fallen continues the story of Belfast detective Serena Flanagan, the central character in two of his previous books. This time, she reluctantly takes on the case of the apparent suicide of a wealthy car dealer who was the victim of a car crash in which he had lost his legs. He and his wife had also in the recent past lost their young child in a swimming accident while on vacation in Spain, death and disaster seemingly following them around. But details of the crime scene make Flanagan uneasy. Among the witnesses she interviews is the minister in whose church the dead man had been active, and Flanagan begins to gravitate toward...

Parisian noir

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Frédéric Dard was a prolific crime writer in the 20th century who had a major series (173 novels) about about the invincible Detective Superintendent Antoine San-Antonio, and also other novels, some of which fit into the French noir category. One of these is Bird in a Cage, recently published by Pushkin Vertigo in David Bellos's translation. Bird in a Cage is a twisty tale of a concentrated, tense return to a Paris suburb by an ex-con (the narrator), who has learned that his estranged mother has died. He stays in her apartment, visits a restaurant that had been held up by his mother as the height of elegance and expense, and there encounters a young mother and her daughter. He more or less follows them into a movie theater, and there begins a tentative relationship, assisting her with her sleeping child when they leave the cinema. From there, the narrator is plunged into a labyrinth of a disappearing corpse, clues and even rooms that appear and vanish, and a tightening web in which...

Dead Joker, by Anne Holt

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The latest Hanne Wilhelmsen novel by Anne Holt is one of the most intense. Cecilie, her life-partner, is ill, and Hanne is confronting uncomfortable realities at home and at work. When a prosecutor phones the police to say that his wife has been decapitated while he was forced to watch, a series of events is set in motion: the man whom the prosecutor saw murder his wife turns out to be dead, a suicide some time before the murder. With a deceased suspect, the attention of the police naturally turns to the most logical alternative, the prosecutor himself. What follows is an unconventional puzzle mystery that will involve another murder, a murderer who is also a victim of child abuse, a ring of abusers and a ring of vigilantes, and a reassessment by Hanne of everything and everyone in her life. Holt's novels are more focused on the lives, both inner and social, of her police characters than some in the Scandinavian crime wave, and sometimes the personalities of the detectives can be a...